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"Music was mood, period. Music was atmosphere. Music was something other and more than reality." — Karl Ove Knausgaard, The School of Night
The novel these words come from is set in London in the mid-1980s — a Faustian story about a young Norwegian photography student whose artistic ambitions take an increasingly dark turn. In Historia, its author brings his words off the page.
Karl Ove Knausgaard and Glenn Kotche have put together an evening where literature, percussion and moving image pull at each other. Kotche opens alone with Monkey Chant, a prepared-drum piece drawing on the Balinese kecak tradition. Knausgård reads passages from The School of Night. Then the elements converge: words and improvised sound against The Left Shore, a video installation by Johan Renck, building an unease that no single art form could have created alone.
The evening closes with a conversation between Kotche and Knausgaard on artistic practice and collaboration. Knausgaard has previously curated an exhibition and written a book on Edvard Munch's work, so for a performance at MUNCH these questions arrive already charged. What can art demand of the people who make it? How does an artist turn private obsession into public form? Historia is, in part, an answer: a space where sound can hold an encounter that a book alone cannot.
Programme
Glenn Kotche Monkey Chant
Performance
Karl Ove Knausgaard Selections from The School of Night
Reading
Glenn Kotche & Karl Ove Knausgaard Historia
Performance with The Left Shore, a video installation by Johan Renck, created with the still photography of Anders Petersen
Glenn Kotche The Path Only Appears With The First Step
Performance
Glenn Kotche and Karl Ove Knausgaard in conversation
Artist talk
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Glenn Kotche. Photo: Andrea Smith
Karl Ove Knausgård. Photo: Thomas Wågström