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In ensemble LEMUR's new work for light, instruments and self-built electronics, an orchestra of loudspeakers wakes to life, while four musicians knead shimmer and noise into sounding form.
Lichtbogen is a sonic fable woven from electrical arcs and fragments of Norwegian industrial history. Four soloists navigate a deliberately unstable sound world, shaped by the geometry of the room, its atmosphere, and the bodies within it. The sound is constantly moving, searching and splintering, suspended between order and collapse.
When a sufficiently high voltage is applied between two points, the air ionises and forms an electric arc. For LEMUR, this phenomenon becomes a compositional method: a way of organising sound, light and energy.
In Marmorsalen, acoustic sound, live electronics and Gard Gitlestad's lighting design are integrated into one single system. The quartet plays cello, flute, double bass and horn, while also using self-built electronic systems that connect them directly to the work’s electrical circuit.
The music crackles and seethes, forming dense masses of energetic sound that surge through the room. Acoustic or electronic — the distinction becomes difficult to tell. The composition takes shape, sometimes intimate as a campfire, other times uncontrollable and charged, like an electrical discharge on an industrial scale.
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Lemur. Photo: Anna-Julia Granberg / Blunderbuss