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PIANO ACTIONS

Grand pianos, spiders and a museum set in motion by Nils Henrik Asheim

Saturday 19 September, at 11:00–17:00
0–190 kr

Ticket grants access to the museum. Audience below 18 years have free admission.

We are all pianists!

For one day, the piano takes over Henie Onstad Kunstsenter. Grand pianos, upright pianos, electric keyboards, self-playing technology, loose piano parts and instruments have been prepared, rebuilt or taken apart. Some are played by professional pianists, some by students and children, some by dancers, and some by you.

PIANO ACTIONS is composer and curator Nils Henrik Asheim’s six-hour exploration of the piano as instrument, object, body and playground. The event is made for families, young audiences and curious listeners of all ages.

In the art center’s Studio Stage, Reinhold Friedl, Ellen Ugelvik, Christian Wallumrød and many other outstanding pianists perform throughout the day, turning familiar piano traditions into new games and experiments. In the corridors and foyer, piano students from the Norwegian Academy of Music and pupils from Bærum kulturskole play prepared pieces and improvisations.

The building is full of things happening at once. Follow a sound into a corridor, stay for a while in the Studio Stage, go outside, come back. Among the surprises, oversized spider-like sculptures that stretch piano strings and hammers into new bodies.

The piano leaves the home, the practice studio and the concert hall, and moves into the galleries, the landscape, and into your hands.

Nagelhus Schia © Tale Hendnes

Nils Henrik Asheim © Line Owren

Jennie Bringaker © Børre Høstland

Concert programme

11:30–11:50Studioscenen

Mario Bertoncini: Alleluia I

Reinhold Friedl
11:50–12:00Studioscenen

Morton Feldman: Piece for four pianos

Four pianists
12:00–12:25Studioscenen

The Pathétique Legacy

Five pianists
Nils Henrik Asheim: Sonata Building Kit
12:30–12:40Studioscenen

Reinhold Friedl: Music for Piano… Spring / Flower / Cracker / Stream

12:40–12:50Studioscenen

Ingfrid Nyhus: solo

13:00–13:25Studioscenen

The Appassionata apparitions

Four pianists
Nils Henrik Asheim: Sonata Building Kit
13:30–13:40Studioscenen

Tyler Futrell: Ghost in the Machine

Ellen Ugelvik
13:40–13:50Studioscenen

Jonas Cambien: solo

13:50–14:00Studioscenen

Isabel Anders: solo

14:00–14:30Studioscenen

The Great Spin

Sixteen pianists from Bærum kulturskole

A Chopin waltz carousel

14:30–14:40Studioscenen

Yun Kyung Lee: Strings

14:40–14:50Studioscenen

Reinhold Friedl: Epitaph

14:50–15:00Studioscenen

John Cage: Suite for Toy Piano

Késia Decoté
15:00–15:25Studioscenen

The Hammerklavier polarities

Six pianists
Nils Henrik Asheim: Sonata Building Kit
15:30–15:40Studioscenen

Morton Feldman: Piano Three Hands

15:40–15:50Studioscenen

Christian Wallumrød: solo

15:50–16:00Studioscenen

Mario Bertoncini: Alleluia II

Reinhold Friedl
16:00–16:40Studioscenen

The Waldstein Migrations

Thirty pianists
Nils Henrik Asheim: Sonata Building Kit

Ingfrid Breie Nyhus © Signe Fuglesteg Luksengard

Reinhold Friedl © David Heerde

Ellen Ugelvik © Erika Hebbert

Christian Wallumrød © Julie Hrncirová / Abrakadabra

Késia Decoté © Antonio Martins Neto

Joakim Rainer © Cristina Marx

Isabel Anders © Manuel Miethe

Jonas Cambien © Free

Keys to PIANO ACTIONS

  • The title points to the piano’s inner mechanism. Pianos are not only instruments. They are also boxes of wood and metal, full of hammers and strings. Press one key, and the whole machine starts to move.
  • Try the self-playing Steinway Spirio grand piano. You can play on the keys or draw sound on an iPad. No experience is needed.
  • Touch the sculptures. They come alive through sound, movement and touch.
  • Follow the dancers from Nagelhus Schia Productions and Rud upper secondary school as they move through the building and outdoors.
  • Like your classics? Beethoven, Bach and Chopin show up, but perhaps not quite as you know them. The day also draws on Cage, Feldman, Kagel and Henie Onstad’s experimental history, where music could also be action, instruction, theatre and play.
  • Mario Bertoncini’s Alleluia I and Alleluia II (1982) uses Japanese gongs and a wooden resonance box, kindly made available by Valeska Bertoncini and the Scelsi Foundation in Rome. Reinhold Friedl performs these works on his newly developed instrument, pianoX.

Steinway & Sons. Photo: Steinway Piano Gallery

Artistic director and composer

  • Nils Henrik Asheim

Pianists

  • Isabel Anders
  • Jonas Cambien
  • Késia Décoté
  • Reinhold Friedl
  • Ingfrid Breie Nyhus
  • Joakim Rainer
  • Ellen Ugelvik
  • Christian Wallumrød
  • Nils Henrik Asheim

Piano students from the Norwegian Academy of Music

  • Herman Bakke Karlsen
  • Barbora Cejpová
  • Erlend Edland
  • Joachim Engeli
  • Damiën Heemskerk
  • Hedda Nordhagen

Choreography

  • Guro Nagelhus Schia
  • Vebjørn Sundby

Dancers from Nagelhus Schia Productions

  • Vilja Kwasny
  • Even Eileraas
  • Guro Nagelhus Schia
  • Vebjørn Sundby
  • Shintaro Oue
  • Efua-Maria Raknerud Aikins
  • Elise Nansve Mjelde
  • The dance department at Rud upper secondary school

Sculptures

  • Jennie Bringaker
  • Erlend Hogstad

Computer programming

  • Dag Egil Njaa

In collaboration with

  • Norwegian Academy of Music
  • The dance department at Rud upper secondary school
  • Bærum Cultural School

Supported by

  • Steinway
  • Arts Council Norway
  • Flyttefoten AS
  • Sparebankstiftelsen DNB as part of Ultima + Henie Onstad: Listening to the Legacy

With thanks to

  • Valeska Bertoncini
  • Fondazione Isabella Scelsi

Produced by

  • Ultima Oslo Contemporary Music Festival
  • Henie Onstad Kunstsenter
  • Nagelhus Schia Productions