The concert grows out of Glacier Lamentation – the sound of climate change, an artistic research project at the Norwegian Academy of Music in which Snekkestad, Lauvdal and Qvenild explore how sound can open new ways of sensing and experiencing climate change.
Drawing on recordings from Arctic landscapes, glaciers, meltwater and underwater environments, together with improvisation, electronics and extended instrumental techniques, the trio develops a music that does not simply describe nature from the outside, but attempts to think and act musically with it.
A practice in which music, composed and developed collectively, is understood as weather: shifting temperature, pressure, friction, density, dissolution and presence; moving between fragile textures, raw energy, melting forms, sonic memory and live processing, with acoustic and electronic materials continually disturbing and transforming one another.