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A new choreographed work by Øyvind Mæland for six percussionists and ceramic tiles; tap dance and noise by Anna Gaïotti and Nina Garcia.
Hard surfaces resist. In Øyvind Mæland's Quality Finish, six percussionists play instruments built from large panels of ceramic tiles, wood, metal and other materials. The performers become string players of a kind, moving through a strange, quasi-melodic landscape of noise, friction and fragile cooperation.
In the second half of the evening, Nina Garcia and Anna Gaïotti appear together as a duo for the first time. Garcia's guitar practice is intense. Even the sparsest setup — one guitar, one pedal, one amp — can open into feedback, short circuits and raw, grinding noise. Anna Gaïotti taps on the old wooden floor of Kulturkirken Jakob, and the movement of her feet becomes percussion. We feel the creaks and vibrations in our bodies.
Noise, this evening, is not a genre or a gesture. It is in the crack of a tile, the strike of a foot, in the hard matter that responds.
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Nina Garcia. Photo: Quentin Chevrier
Nina Garcia & Anna Gaïotti. Photo: Icilonde
Pinquins and percussion students at NMH. Photo: Saimi Kortelainen
Øyvind Mæland. Photo: Elvin I. Berg
Foto: Elvin I. Berg