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Hard surfaces resist.
In Øyvind Mæland's new work, Quality Finish, six percussionists play instruments built from large panels of ceramic tiles, wood, metal and other materials. Bows are drawn across the surfaces. The performers become string players of a kind, moving through a strange, quasi-melodic landscape of noise, friction and fragile cooperation.
In the second half of the evening, Nina Garcia and Anna Gaïotti appear together as a duo for the first time. Garcia's guitar practice is intense. Even the sparsest setup — one guitar, one pedal, one amp — can open into feedback, short circuits and raw, grinding noise. Anna Gaïotti taps on the old wooden floor of Kulturkirken Jakob, and the movement of her feet becomes percussion. We feel the creaks and vibrations in our bodies.
Noise, this evening, is not a genre or a gesture. It is in the crack of a tile, the scrape of a bow, the strike of a foot, in the hard matter that responds.
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Nina Garcia. Photo: Quentin Chevrier
Nina Garcia & Anna Gaïotti. Photo: Icilonde
Øyvind Mæland. Photo: Elvin I. Berg
Foto: Elvin I. Berg